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A LOVELY SUNDAY FOR CREVE COEUR

[By Tennessee Williams]
PROVINCETOWN TW THEATER FESTIVAL

Produced by Gremlin Theatre

SEPTEMBER 2014

First produced in 1979, this enchanting comedy centers on four women set on protecting each other from disappointment in an efficiency apartment in St. Louis.

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And, because it takes place in an apartment, that's how I staged it... complete with chicken frying on the stove! Turning it into a site-specific piece completely transformed the experience.

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Dotty, suffering from a Southern Belle complex, is stuck between three well-meaning women: Bodey, her motherly German roommate; Helena, her pretentious, predatory friend; and Sophie, the sad cruller-eating German-speaking woman from upstairs. This 1979 text heralds Williams's return to the pleasing lyric cadences of his earlier writing: full of grace and humor, and very different from the broken rhythms of his other late writings. The play's scenario became the basis for the highly successful TV series The Golden Girls in the 1980s.

CREATIVE TEAM

Costumes | Clare Brauch

Sound | Katharine Horowitz

Prop Design & Stage Mgmt | Sarah Bauer

Design & Technical Direction | Carl Schoenborn

Direction | Jef Hall-Flavin

Producer | Peter Christian Hansen

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CAST (Provincetown)

Bodey | Sally Ann Wright 
Dorothea | Sara Richardson
Helena Brookmire | Jane Froiland

Sophie Gluck | Ellen Apel

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CAST (Minneapolis)

Bodey | Suzanne Warmanen
Dorothea | Sara Richardson
Helena Brookmire | Jane Froiland

Sophie Gluck | Noe Tallen

PHOTO GALLERY

[Josh Andrus]

WHAT PEOPLE SAID

[TWIN CITIES PIONEER PRESS]

...such a disarmingly natural portrayal that I felt as if a real person may have walked in off the streetand taken her place among Williams’ highly stylized characters. 

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Rob Hubbard

[DAILY PLANET]

At times I was almost inside the play...

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Nothing brings the efficacy of theater home more than an event in a real, non-theater space. 

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Rene Meyer-Grimberg

[EDGE BOSTON]

The ensemble work was spot-on, each character feeding off each other's nuances and foibles. This is a production that should be taken on the road, and with this cast:

it was simply that good.

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Robert Israel

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